3/26/2023 0 Comments Follow the vibe lyricsIt kinda leans into the annoyance of letting your brain play tricks on you and not buying into overthinking about that stuff. The song takes lyrical cues from the Baader Meinhof phenomenon, a “frequency illusion” when you notice something for the first time and then have the tendency to notice it more and more often. Perhaps on the cusp of being an over-intellectualised garage-rock song, hence the 7/4 beat.īec: This was the first single off the album, and I love the energy of this one. That said, it’s also about commodifying creativity to sell a product. It’s about creativity vs conventional work – I like the idea that creative things should be able to exist around the structure of normal life, and I don’t really like the idea of a high and mighty artisté who simply can’t conform to regular work. It’s a funny song lyrically because when I was writing it I couldn’t quite decide which perspective I fully agreed with (which is sometimes a good topic to write a song about). James: The first Delivery song! Written by me and Bec during the first lockdown in 2020 thanks to a gentle push from Blow Blood Records first ALTA comp, back when the band was just a twinkle in our eye. The phrase “picture this” seemed like an equally foreboding and intriguing way of doing just that. ‘Picture This’ is a bit of a “setting the scene” kind of song – at the time, hinting at what the band could sound like, and now setting up what’s to come from the rest of the album. It started with essentially one note repeating on the guitar, and when I initially pitched it to the group, Bec looked at me like I’d lost my mind.Īnyway, one thing led to another and fortunately a full song came out of it, with enough twists and turns to break up the monotony while keeping that original concept in full focus. James: Right as the band was starting, I decided we should write a song based around a really simple idea that would almost become anxiety-inducing with the constant repetition. To celebrate the release of Forever Giving Handshakes, we got the band to deliver us a track by track breakdown of their debut album, which you can read below. Two fine 7” records – released on the ever-reliable Spoilsport Records – marked them as one to watch in 2021 supporting slots have been increasing in stature, including for Tropical Fuck Storm and Party Dozen they’re already on the Golden Plains lineup next year their curious combination of punk energy and garage whimsy seems ideally suited to Northern Hemisphere audiences (it’s already getting a U.S. Their members have come together from several well-liked and well-followed Melbourne bands – including The Vacant Smiles, Gutter Girls and Blonde Revolver – but it’s this project that feels most able to make it internationally. Recorded over a matter of days in their Brunswick rehearsal space, the album also has a live feeling to it.ĭelivery didn’t even exist as a band two years ago, but their growth since has been impressive. Underneath the rapid-fire vocal delivery, intricate guitar interplay is rife it’s always a case of more is more. This speaks to the DIY structure and clear chemistry of the five-piece: led by James Lynch and Rebecca Allan, the rest of the band – Lisa Rashleigh, Sam Harding, and Daniel Devlin – all contribute vocals throughout the record, creating wonderful communal singalong moments. Forever Giving Handshakes is an exercise in controlled chaos, songs threatening to fall apart at any moment, but it all coolly remains together.
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